Review
鄭天儀（2022年4月 22日）。〈圓缺記 嚴瑞芳，做一場有關離散的彌撒〉，
《號外雜誌》。546期，74-79。
曾曉玲（2022年4月17日）。〈ways of seeing：Emo時，為脆弱情緒「做gym」 〉，
《星期日明報》。P06。
練習emo 丨 島聚，文：李安琪
「鑊鑊新鮮鑊鑊甘」展覽——回應「1.5米」訪談計劃的重生四部曲 丨
字花，文：林靖敏
藝術新貌 通幽動微 丨 號外雜誌，文：Samwai Lam
嚴瑞芳《一介之逆》 抗爭姿態之鍛鍊丨 明周，文：盧燕珊
香港藝術家如何詮釋「父親」丨 COBO Social，文：Fizen Yuen
廿年前後話「2017的想像」丨 明報周刊，撰文: Janice
重演戴卓爾跌倒一幕 丨立場新聞，撰文：吉暝水
三個藝術展重現九七 在歷史中重思香港當下，香港01，撰文： 鄧詠瑤
Chung, Peter (2022), “Emo Gym”, Art Asia Pacific, July/ August, 84.
‘Some Tangible, Some Forgotten: Art About Borders in the Hong Kong SAR’, by Frank Vigneron from book: Visual Culture Wars at the Borders of Contemporary China (Springer), Pages 27-58
Yim Sui Fong solo exhibition: A Room of Resistance curated by Susi Law 丨
Art Appraisal Club, text by Yang Yeung
For care to come through political dissent – the story of Hong Kong-based artists Stephanie Sin and Suifong Yim 丨 un Magazine issue 14.1, text by Yang Yeung
Cheung, Ysabelle (2021), “Can’t touch this!” at WMA, Artforum International.
Two Hong Kong Artists Tackling Social Issues 丨Perspective, written by John Batten
Social Conscience 丨International Association of Art Critics Hong Kong, written by John Batten
No Place like Home - A reflection on From Vanishing to Creation: A Dialogue about Urban Transition, a panel discussion accompanying the WMA Exhibition Transition
Hong Kong Soft Power. Art Practices in the Special Administrative Region 2005-2014. Hong Kong 丨The Chinese University Press, 2018. Author: Professor Frank Vigneron
Video
Kyle Yim (Producer)(2021), “The Works：Y•PARK Sculpture Camp”, Hong Kong, RTHK. 24 November 202.