嚴瑞芳是一位香港藝術家,現任香港中文大學藝術系助理教授。她的創作實踐結合聲音、記憶與教育方法,透過參與式聆聽、行動式檔案與工作坊形式展開。她運用田野錄音、虛構樂器與集體交流,創作可供公眾參與的框架。她的作品常呈現為活檔案或社會實驗模型,開放予公眾參與、共同構思與對話。透過這些實踐模式,她實驗藝術如何於不同時空條件下,使被忽視的歷史與共享經驗得以被觸發、轉化與再敘述。
嚴瑞芳曾獲得香港藝術發展局青年藝術家獎(視覺藝術)和WMA大師獎。嚴瑞芳是天台塾聯合創辦人,並擔任HASS Lab的董事會成員,這兩個機構提倡以藝術家思維來理解、詮釋及改善社會。她也是Ecologies of Participation跨學科研究計劃的發起人之一,該計劃探索跨越藝術、文化研究和建築的參與性實踐。
她主要參與的項目及展覽包括: 「川龍視覺誌」(2025, 香港國際攝影節)、「圓缺俱樂部」(2022,大館當代美術館,香港)、「我身於我城」 (2021,歌德書院,香港)、「他山之木」 (2021,Y Park,香港)、「鑊鑊新鮮鑊鑊甘」(2021,WMA Space,香港)、Landskrona Foto Festival (2020, 瑞典蘭斯克魯納)、個展「一介之逆」(2019, 香港JCCAC)、國際藝術家電影(AFI) 系列放映(2018, 倫敦白教堂美術館, 英國)、油街實現委約作品《看管時間的人》(2018)。
下載中文簡曆 link
Yim Sui Fong is a Hong Kong-based artist and Assistant Professor at The Chinese University of Hong Kong. Her practice explores the interplay of sound, memory, and pedagogy through participatory listening, performative archiving, and workshop-based processes. Working with field recordings, fictional instruments, and collective encounters, she creates artworks that function as adaptable frameworks for public engagement. Her projects often take the form of living archives or social prototypes, inviting co-creation and response. Through these distributed models, she investigates how minor histories and shared experiences can be activated and reimagined through artistic processes over time and across contexts.
Yim has received the Hong Kong Arts Development Award for Young Artist (Visual Arts) and the WMA Masters Award. She fis the co-ounder of Rooftop Institute and serves on the board of HASS Lab, both advocating art and artistic thinking as new ways of understanding and valuing society. She is also one of the initiators of Ecologies of Participation, a transdisciplinary research initiative exploring participatory practices across art, cultural studies, and architecture.
Her projects are included in: ‘Chuen Lung Visual Research Archive’ organised by Hong Kong International Photo Festival (2025), ‘Emo Gym’, Tai Kwun, Hong Kong (2022), ‘The Body and The City’, Goethe Institute, Hong Kong (2021), ‘Can’t Touch This’, WMA Space, Hong Kong (2021), ‘Otherworlds: non/digital realities’, Gillman Barracks, Singapore Art Week, Singapore (2021), ‘Landskrona Foto Festival’, Landskrona Art Gallery, Sweden (2020), ‘Artists’ Film International’, Whitechapel Gallery (2019), ‘Hic Sunt Leons’, Surplus Space, Wuhan, China (2019), ‘A Room of Resistance’, Jockey Club Creative Arts Centre, Hong Kong (2019). Her book project ‘The man who attends to the times’, commissioned by Oi!, Hong Kong (2018) etc. Her artworks are collected by Kadist Foundation and private collections.
Download English CV. link
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suifong@gmail.com
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EDUCATION
2011 Master of Fine Arts (MFA), The Chinese University of Hong Kong
2006 Degree of Bachelor of Arts (BA), The Chinese University of Hong Kong
SELECTED SOLO EXHIBITIONS
2019 A Room of Resistance, Jockey Club Creative Arts Centre, Hong Kong link
2018 The man who attends to the times, project supported by Oi!, Hong Kong link
2016 Everything seems the hint when you get lost, Muriwai Earthskin Residency, Auckland, New Zealand
SELECTED GROUP EXHIBITIONS
2025
Chuen Lung Visual Research Archive, Koon Man Space, Hong Kong International Photo Festival, Hong Kong
Listening Biennail (upcoming)
2024
Assemble: Hong Kong In Helsinki, Presented and supported by HIAP, Helsinki. Supported by PF25 cultural projects, Basel.
2023
Irregular Plural – Commune, WMA Space, Hong Kong
2022
Emo Gym, Tai Kwun Contemporary, Hong Kong link
The Good Life, Rockbund Art Museum, Shanghai, China (joined as a member of 44 monthly)THE WALL Reunion or Divide, SomoS, Berlin, Germany link
Hangover Haunted & Their Lost Futures, Lumenvisum, Hong Kong link
Hong Kong Video Night, During Museumsnacht Basel, Atelier Mondial and PF25 cultural projects, Basel, Switzerland
2021
The Body and The City, Goethe Institute, Hong Kong link
Homeland In Transit Through The Clouds, Ein Fenster inmitten der Welt, Murrhardt, Germany link
Homeland In Transit Through The Clouds, Momentum, Kunstquartier Bethanien, Berlin, Germany link
Can't Touch This, WMA Space, Hong Kong link
https://visualizingthevirus.com/entry/avatar/
An Individual As the Society, Cattle Depot No.8, Hong Kong
Liminal Space, organised by 1a space at Art Basel, Hong Kong
Year of the Pig, audiovisual streaming at https://aashra.ashkalalwan.org
BOOKED special project, Tai Kwun, Hong Kong link
Charta Photo-book festival, Rome, Italy
Photography as a Practice of Seeing : FotobooKfest Oslo, Norway
Photobook Week Aarhus, Denmark
Otherworlds: non/digital realities, Gillman Barracks, Singapore Art Week, Singapore link
2020
Still Life Objects, Hong Kong House at Echigo-Tsumari, Echigo-Tsumari Art Triennial, Japan link1 / link2
Landskrona Foto Festival, Landskrona Art Gallery, Sweden link
Crossing Border Border Crossing International Festival of Intermedia, JCCAC 3/F 4/F common space, Hong Kong
2019
Artists’ Film International, Whitechapel Gallery, United Kingdom link
The Situation of Learning, Our Gallery, Hong Kong link
Momentary Glimpses: An Anthology on Contentedness, publication project by Folium, edited by JJ Chan link
Only Connect Osaka, Creative Center Osaka link
The Wall, Cattle Depot, Hong Kong link
hic sunt leones, Gallery Week Beijing 2019 “Emerging Artist Series”, Beijing 798 Art Centre, China linkhic sunt leones, Surplus Space, Wuhan, China link
River Without Buoys 1979, Boers-Li Gallery, Beijing, China link
2018
WMA Masters Award 2017/18- Transition, Gallery of Hong Kong Central Library, Hong Kong link
Artists’ Film International Part III 2018, organised by Whitechapel Gallery, screening at Bonniers Konsthall, Sweden link
coming soon, curated by Lara van Meeteren and Bart Wissink, Bangkok Biennial, Thailand link
2017
Talkover/Handover 2.0, 1 a Space, Hong Kong
Hong Kong Human Rights Arts Prize Exhibition 2017, Blindspot Gallery, Hong Kong
CUHK Fine Arts Department 60th Anniversary Feature Exhibition, Cattle Depot, Hong Kong
Koki Tanaka’s Precarious Tasks #9: 24hrs Gathering (Timeline), Spring Workshop, Hong Kong
Decongestants for West-Kowloonization: On Fire, Conceptual Art Actions and Documentation Exhibition, C&G Apartment, Hong Kong
Here, Casphalt, Hong Kong
2016
Mountain Sites: Views of Laoshan, Sifang Art Museum, Nanjing, China
2015
HACK, Before・After, Oil Street Art Space , Hong Kong
Jiang Ling – An Artistic and Humanistic Practice with On-site Interpretation and Regeneration, Hubei Institute of Fine Arts Art Gallery, Wuhan, China
what unimaginable forms, Comix Home Base, Hong Kong
2014
Tales from the Taiping Era, Red Brick Museum, Beijing, China (L+: Pak Sheung Chuen + Yim Sui Fong)
Disappearing Photography Tour (L+: Pak Sheung Chuen, Wo Man Yee, Lee Soen Long and Yim Sui Fong)
-Hong Kong New Territories session: September 9, 2014 (Organizer: Hong Kong Commercial Radio Project) Japan -Fukushima session: September 9, 2014 (Organizer: Arafudo Art Annual 2014)
-Taiwan Taipei sessions: December 26, December 17, December 20, 2014 (exhibition: “Here is where we meet – an exhibition on participatory art”, organizer: Museum of Contemporary Art,Taipei)
RESIDENCIES
2025 Delfina Foundation Residency Programme, London, UK
2023 Artist-in-Residence Programme, The Chinese University of Hong Kong Cultural Management BA Programme
2022 CAMP - Arts Educators in Residence, organised by documenta 15, Kassel, Germany link
2016 Muriwai Earthskin Residency, Oakland, New Zealand link
2006 PASCA, Pont Aven, France link
AWARDS AND GRANTS
2021 Award for Young Artist (Visual Arts) 2019/2020 from Hong Kong Development Council
2021 Silver Medal Winner, The 1st Hong Kong Photobook Dummy Award, Hong Kong
2018 WMA Masters Award 2017/18, WYNG Foundation, Hong Kong
2006 PASCA Fellowship, Annie Wong Art Foundation
NOMINATION
2022 Foam Paul Huf Nominee
2019 On the Road, Nomination Exhibition of Chinese Young Artists Works & Forum of Young Art Critic, Nominee
2017 Finalist of Hong Kong Human Rights Arts Prize 2017, Justice Centre Hong Kong
RESEARCH GRANT (Academic Research)
2024.06.01- 2025.09.31
Resounding Relationships: A Study of Sound Art, Participation, and Cohabitation (Project code:4051256), funded by Direct Grants, CUHK. Grant obtained as PI.2024.06.01- 2025.12.31
A Response to Hong Kong's Arts Tech Policy: Shifting the Narrative on Art and Technology to Reconsider Cultural Development (Project code: 4051253), funded by Direct Grants, CUHK. Grant obtained as Co-I.2024.09.01- 2026.12.31
Practice-as-Research: Producing Knowledge Through Participatory Creative Practice (Project code: 5502041), by Faculty of Arts, CUHK - Self-financed Programme Reserves for Research - Research Institute for the Humanities. Grant obtained as PI.2024.11.01- 2025.04.30
Visual research into the community, ecology, and cultural heritage at Chuen Lung, organized by Hong Kong Photographic Culture Association Limited; funded by 10th-round funding exercise of Arts Capacity Development Funding Scheme. Grant obtained as PI.RESEARCH GRANT (Pedagogical Research)
2024.02.01-2026.06.30
Future Leaders in Digital Humanities Fellows Scheme (Project code:3200258), supported by Faculty of Arts, CUHK. Grant obtained as PI.2024.04.01-2025.11.30
Funding Scheme to support pedagogical research - Exploring the Impact of Socially Engaged Art Theory and Practice on Asia Exchange Teaching and Learning Pilot Model (Project code:4171130), funded by University Grants Committee (UGC) - Teaching Development and Language Enhancement Grant (TDLEG) for 2022-2025 Triennium. Grant obtained as PI.2024.06.01- 2025.12.01
Enhancing Digital Competency for Fine Arts Department (Project code:3200346), funded by UGC Earmarked Project - Fund for Innovative Technology-in-Education (FITE) - Funding Scheme for Promoting Innovative Technology in Education. Grant obtained as PI.CURATORSHIP
2024 Attic Lab, social practice art programme by Fine Arts Department, CUHK
2023 1st edition of Tiger Armstrong Biennale, curated by Rooftop Institute, organised by HKICC Lee Shau Kee School of Creativity, Hong Kong
2018-2019 Our Everyday, Our Border, co-curated with Law Yuk-mui and Frank Vigneron, presented by Rooftop Institute, organised by Tai Kwun Contemporary, Hong Kong link
2016 Neptune Terrance, co-curated with Inti Guerrero, Neptune, Chai Wan, Hong Kong link
PUBLIC TALKS / LECTURES / ARTIST TALKS
Guest Speaker, Artist’s Path to Flourish – Panel Discussion, organized by Hong Kong Arts Centre, Hong Kong, 2025
Guest Speaker, Artist Talk, Makkie Tang Man Ki: “Out of Sight”, held at POINTSMAN, Hong Kong, 2025
Speaker, Artists Chat: Show Shows Signals – Eight Front Strategy Zine Launch & Exhibition, held at Thy Lab, Hong Kong, 2025
Speaker, “Borderless Brain Bank”: Artmaking Presentation, held at Art and Culture Outreach, organized by HASS Lab, Hong Kong, 2025
Guest Speaker, Interactive Tour with Readings, part of In Other Wor(l)ds, held at Goethe-Institut Hong Kong, 2025
Moderator, Artist Talk by Trevor Yeung, part of The Art of CUHK 2025, Hong Kong, 2025
Respondent of the talk: Methodologies of Imagination: Field Notes from Kyrgyzstan, organised by Asian Art Archive, Hong Kong, 2024 link
Guest Speaker, lecture on socially engaged practice for MA Performance: Society; Central Saint Martins, London, UK, 2024
Speaker, Artist-parents’ ideas: alternative ways for parents, organised by Artomity at Art Basel Hong Kong Exchange Circle, 2024
Guest Speaker, Unlearning Realities - Reimagining Futures: A symposium exploring cultures, histories and futures, organised by Learning, Teaching and Research - LASALLE in collaboration with the Cultures - Histories and Futures theme group of Shared Campus, Singapore, 2023
Guest Speaker, Shared Campus 2023: (un)learning socially engaged art in Hong Kong, organised by Academy of Visual Arts, School of Creative Arts, Hong Kong Baptist University, 2023
Artist Sharing: sound, participation, and publicness, Sonic-Visual Interplay – Programme of NME15, organised by Hong Kong New Music Ensemble, 2023
Guest Speaker, Art Education Network Roundtable, organised by Asia Art Archive, 2023
Guest Speaker, Collective School x Collective Failure, co-presented by Asia Art Archive and Goethe-Institut Hongkong, 2022
Guest Lecturer, RMIT’s Bachelor of Arts (Fine Art) program, Hong Kong, 2021, 2022
Guest Speaker, Landskrona Foto Artistic Director Monica Allende in conversation with artists Lee Kai Chung and Yim Sui Fong, 2020
Guest Speaker, Kowloon City Co-operation Housing Documentary Exhibition and talk, 2020
Guest Speaker, Southeast Asian Art Residencies Meeting 2018, organised by Green Papaya Art Projects and 98B COLLABoratory, Philippines, 2018
Guest Speaker, Art After Hour : : "Our Everyday - Our Borders” Artists’ Talk, organised by Tai Kwun Contemporary, 2018
Guest Speaker, Performance = action x art ?, organised by The Art of CUHK, Hong Kong, 2018
Guest Speaker, From [Vanishing] to [Creation] : A Dialogue about Urban Transition, public programme organised by WYNG Foundation, 2018
Guest Speaker, Fresh Trend Art Graduates Joint Exhibition, organised by Hong Kong Art Network, Hong Kong, 2015
Artist’s talk, Art in Action, organised by Meridian Space, Beijing, China, 2014
PANELS / JURY
2025- July panel, XO Prize, HASS Lab
2024-Jury panel, Zeitgeist Hong Kong, Goethe Institute Hong Kong
2024 – Jury Member, Wharf Hong Kong Secondary School Painting Competition 2023–24
2018, 2019 – Jury Member, WMA “Imaging Hong Kong” Photography Award
CONFERENCE / SYMPOSIUMS
2025.05.17
Presenter, Rehearsing Futures: Pedagogies of Hope, organized by Academy of Language and Culture, Faculty of Arts and Social Sciences, Hong Kong Baptist University2025.04.25 - 2025.04.26
Ecologies of Participation – Public Forum, co-organized by the Department of Fine Arts, School of Architecture, and Department of Cultural and Religious Studies, The Chinese University of Hong Kong. Supported by the Research Institute for the Humanities, CUHK.2024.12.04
Listening to Chaos: Sound, Labor, and Neurodiversity in Art Practice - Bridging Cultural Analytics and Art Practice: Insights from Hong Kong Cases, by Hurricanes and Scaffolding: Symposium on Artistic Research 2024; Swedish Research Council, UmArts Research Centre, Umeå University, Umeå Kommun, Umeå Transformation Research Initiative (UTRI), The Communications Office, Umeå University2024.12.05- 2024.12.06
Joint-paper presented at Ecologies of Participation - Urban Mediations: International Conference on the Narratives, Ecologies, and Poetics of the CityUnlearning Realities - Reimagining Futures: A symposium exploring cultures, histories and futures, organised by Learning, Teaching and Research - LASALLE in collaboration with the Cultures - Histories and Futures theme group of Shared Campus, Singapore, 2023
PUBLICATIONS
2025 Contributor, ‘The Contagious Effects of Artist-Led Co-Learning: Insights from Rooftop Institute’s 12-12 實現實驗 Program’, Epistemic Imaginaries – Learning as Festivity, published by Errant Bodies
2024 Rapporteur, Listening Academy, organised by soundpocket, link
2023 Co-editor, Event Scores 2 - Ideas between Artist-Parentsand Their Kidspublication project, supported by the Hong Kong Arts Development Council
2022 work published in Photoworks Annual 28, UK
2021 Co-editor, Event Scores by Artist-Parentspublication project, supported by West Kowloon Cultural District Authority Arts Relief Scheme
2019 Momentary Glimpses: An Anthology on Contentedness, publication project by Folium, edited by JJ Chan
2018 The man who attends to the times, supported by Oi!, 2018
2009 Planning and Research, Made in Shek Kip Mei, exhibition and research catalogue, Jockey Club Creative Arts Centre, Hong Kong
2005-2009, 2015-now a contributor for the feature column at local newspaper Sunday Ming Pao.
EDUCATION PROGRAMME / WORKSHOP
Has served as guest lecturer, artist-tutor, and workshop facilitator for the following institutions and programmes:
Hong Kong Art School (BA Programme), BA Programme in Cultural Management at The Chinese University of Hong Kong, C.C.C. Mongkok Church Kai Oi School, HKICC Lee Shau Kee School of Creativity, Hong Kong Arts Development Council – Arts Ambassadors-in-School Scheme, Caritas Charrette Centre, Zihua Cultural Production, 1a Space, Writing+, SCAD (Art Criticism Class), Asia Art Archive, among others.
COLLECTIONS
Kadist Foundation and private collections.
AFFILIATIONS
Assistant Professor, Department of Fine Arts, The Chinese University of Hong Kong
Assistant Professor (by courtesy), Department of Cultural and Religious Studies, The Chinese University of Hong Kong
Artistic Director, co-founder, Rooftop Institute
Board Member, HASS Lab
Co-founder, Ecologies of Participation
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學歷
2011 畢業於香港中文大學藝術系(純藝術碩士)
2006 畢業於香港中文大學藝術系(文學士)
個人展覽 / 藝術項目
2019 「一介之逆」, 賽馬會創意藝術中心, 香港 link
2018 「看管時間的人」, 項目由油街實現及WMA支持 link
2016 「把一切當作迷失時的提示」, Muriwai Earthskin Residency, 紐西蘭奧克蘭
聯合展覽
2025
「川龍視覺誌」,貫文空間,香港國際攝影節,香港
「Listening Biennial」(即將展出)
2024
「Assemble: 香港在赫爾辛基」,主辦及支持:赫爾辛基國際藝術家駐村(HIAP),赫爾辛基;支持單位:PF25文化項目,巴塞爾
2023
「不規則複數:群居」,WMA Space, 香港
2022
「圓缺俱樂部」, 大館當代, 香港 link
「美好生活」, 上海外灘美術館, 中國
「THE WALL Reunion or Divide」, SomoS, 柏林, 德國
「永劫回歸的靈魂」, 光影作坊, 香港 link「HONG KONG VIDEO NIGHT」,Atelier Mondial and PF25 cultural projects
2021
「他山之木」, Y Park, 香港 link
「我身於我城」, 歌德藝廊及黑盒子, 香港 link
HOMELAND in TRANSIT through the clouds, Ein Fenster inmitten der Welt, 德國默拉特 link
HOMELAND in TRANSIT through the clouds, Momentum, Kunstquartier Bethanien, 德國柏林 link
「鑊鑊新鮮鑊鑊甘」, WMA Space, 香港 link
https://visualizingthevirus.com/entry/avatar/
「一個人的社會」當代藝術展覽及文獻出版, 亞洲民眾戲劇節協會主辦, 香港
Liminal Space, 1a空間主辦, 巴塞爾藝術展, 香港
Year of the Pig, 網上放映 https://aashra.ashkalalwan.org主辦
BOOKED:2021 特備節目, 大館當代美術館, 香港 link
Charta Photo-book festival, 意大利羅馬
Photography as a Practice of Seeing : FotobooKfest挪威奧斯陸
Photobook Week Aarhus, 丹麥
Otherworlds: non/digital realities, Gillman Barracks, 新加坡藝術週, 新加坡 link
2020
「心安之物 暨10/10十日祭」, 越後妻有大地藝術祭2020 香港部屋項目link1 / link2
「Landskrona Foto Festival」, Landskrona Art Gallery, Sweden link
「越過界 ︳國際跨媒體藝術節」, JCCAC 3/4樓公共空間link
2019
「Artists’ Film International Part III 2018」, 白教堂美術館, 英國 link
「學學習事件譜」, Our Gallery, 香港 link
「Only Connect Osaka」, Creative Center Osaka link
「牆2019」 牛棚藝術村, 香港 link「此地有獅」, 剩餘空間, 中國武漢 link
「新勢力單元」畫廊週北京2019, 北京798藝術中心, 中國北京 link
「沒有航標的河流, 1979」, 博而勵畫廊, 中國北京link
2018
「過渡」WMA大師攝影獎2017-18, 香港中央圖書館 link
「Artists’ Film International Part III 2018」, 由 Whitechapel Gallery主辦, 於Bonniers Konsthall 放映, 瑞典斯德哥爾摩
「coming soon」曼谷雙年展, 泰國 link
2017
「廿年回歸前後話」, 1a Space, 香港
「香港人權藝術獎2017 展覽」, 刺點畫廊, 香港
「藝術, 是文化的氣象台- 香港中文大學藝術系六十週年專題展覽」, 牛棚藝術村, 香港
「這裏」, 清山塾, 香港
2016
「山中美術館」, 四方美術館, 中國南京
2015
「前後」,〈HACK / 黑〉, 油街實現, 香港
「文明」第三回 : 江陵, 一種在地轉譯和多重再生的藝術與人文實踐, 湖北美術學院美術館, 武漢, 中國(L+: 白雙全 + 嚴瑞芳)
2014
「太平廣記」, 紅磚美術館, 中國北京 (L+: 白雙全+嚴瑞芳)
「消失攝影團」(L+: 白雙全、胡敏儀、李淳朗、嚴瑞芳)
• 香港新界篇: 二零一四年九月九日(舉辦單位: 香港商業電台「集雜志」項目)
• 日本福島篇: 二零一四年九月九日(舉辦單位: 日本Arafudo Art Annual 2014 )
• 台灣台北篇: 二零一四年十二月六日、十二月十七日、十二月二十日(展覽:「我們在此相遇-參與性藝術文件展」, 舉辦單位 : 台北當代藝術館, 台灣)
駐留
2025 Delfina Foundation 駐留藝術家,英國倫敦
2023 香港中文大學文化管理學士課程駐留藝術家計劃
2022 CAMP—藝術教育家駐場計劃,由第 15 屆卡塞爾文獻展主辦,德國卡塞爾 link
2016 Muriwai Earthskin Residency,紐西蘭奧克蘭 link
2006 PASCA,法國阿旺橋 link
榮譽及獎項
獎項
2021 藝術新秀獎(視覺藝術)2019/2020 link
2021 香港攝影樣本書獎二獎 link
2018 WMA大師攝影獎2017-2018 link
2006 PASCA獎學金,梁潔華藝術基金會
提名
2022 獲提名入選Foam Paul Huf Award
2019 獲提名中國青年藝術家作品提名暨青年批評家論壇
2017 入圍香港人權藝術獎
研究資助(學術研究)
2024.06.01 – 2025.09.31
《Resounding Relationships: A Study of Sound Art, Participation, and Cohabitation》(項目編號:4051256),由香港中文大學直接資助計劃資助,擔任首席研究員(PI)。2024.06.01 – 2025.12.31
《A Response to Hong Kong's Arts Tech Policy: Shifting the Narrative on Art and Technology to Reconsider Cultural Development》(項目編號:4051253),由香港中文大學直接資助計劃資助,擔任協同研究員(Co-I)。2024.09.01 – 2026.12.31
《Practice-as-Research: Producing Knowledge Through Participatory Creative Practice》(項目編號:5502041),由香港中文大學文學院人文學研究所自資研究儲備基金資助,擔任首席研究員(PI)。2024.11.01 – 2025.04.30
《川龍視覺誌》,由香港攝影文化協會主辦,第十輪「藝術能量發展資助計劃」資助,擔任首席研究員(PI)。研究資助(教學研究)
2024.02.01 – 2026.06.30
《Future Leaders in Digital Humanities Fellows Scheme》(項目編號:3200258),由香港中文大學文學院支持,擔任協同研究員(Co-I)。2024.04.01 – 2025.11.30
《探討社會參與式藝術理論與實踐的影響—結合亞洲交流教學模式的先導計劃》(項目編號:4171130),由大學教育資助委員會(UGC)之「教學發展及語文提升計劃(TDLEG)」2022–2025三年撥款期資助,擔任首席研究員(PI)。2024.06.01 – 2025.12.01
《Enhancing Digital Competency for Fine Arts Department》(項目編號:3200346),由大學教育資助委員會(UGC)指定撥款項目 — 教育創新科技基金(FITE)資助,擔任首席研究員(PI)。策劃項目
2024 Attic Lab,香港中文大學藝術系主辦的社會實踐藝術項目
2023 第一屆老虎巖仕堂雙年展,天台塾策劃, 香港兆基創意書院, 香港
2018-2019「日常邊界」, 天台塾策劃, 大館當代美術館主辦, 香港 link
2016 「樂翠台」與士日共同策劃, 惑星海王空間, 香港 link
公開講座/藝術家分享/演講
2025 嘉賓講者,《藝術家之路:從心出發》座談會,香港藝術中心主辦
2025 嘉賓講者,《藝術家分享:鄧文琪個展〈Out of Sight〉》,POINTSMAN舉行
2025 講者,《藝術家社創擂台比武(傾偈)會 —〈社創識路八陣圖〉發佈及展覽》,HASS Lab主辦
2025 講者,《腦力無邊之創作可以點樣睇?》發佈及分享會,藝鵠舉行,HASS Lab主辦
2025 嘉賓講者,導賞與分享會,換言(世)之 節目之一,香港歌德學院舉行
2025 主持,《楊沛鏗藝術家分享會》,中大藝術2025活動之一
2024 對談嘉賓,〈想像的方法論:來自吉爾吉斯斯坦的筆記〉,由亞洲藝術文獻庫主辦,香港(連結)2024 客席講者,藝術碩士(表演)課程客藉講座, 社會參與實踐:社會,英國倫敦中央聖馬丁學院
2024 講者,〈藝術家父母的創意:別樣的親子互動方式〉,巴塞爾藝術展香港展會:藝群匯集,合作夥伴 Artomity
2023 講者,Shared Campus 2023: (un)learning socially engaged art in Hong Kong,香港浸會大學視覺藝術院主辦
2023 藝術家分享:聲音、參與和公共性,Sonic-Visual Interplay – NME15,香港創樂團主辦
2023 講者,藝術教育網絡圓桌會議(香港) | 透過藝術建立社群,亞洲藝術文獻庫主辦
2022 講者,群策群學 x 溶得唔勻洵,由亞洲藝術文獻庫與香港歌德學院合辦
2021,2022客藉講師,RMIT’s Bachelor of Arts (Fine Art) program,香港
2020 講者,Landskrona Foto Artistic Director Monica Allende in conversation with artists Lee Kai Chung and Yim Sui Fong
2020 講者, 九龍城公務員合作社文獻展講座
2018 講者,〈東南亞藝術家駐留機構會議 2018〉,由菲律賓Green Papaya Art Project主辦
2018 講者,「藝術不夜館」:「日常邊界 」藝術家講座,大館當代美術館主辦
2018 講者,〈展演=行為 x藝術?〉,由香港中大藝術主辦
2018 講者,〈從「消失」到「營造」:一場關於城市過渡的對談〉,由WYNG基金會主辦
2015 講者,〈出爐藝術畢業生聯展〉,由香港藝術網絡主辦
2014 藝術家講座,〈Art in Action〉,由時差空間主辦,北京
評審
2025 《Zeitgeist香港》,香港歌德學院
2024 九龍倉全港中學生繪畫比賽2023-24
2018,2019 WMA 映香港攝影比賽
研討會 / 會議
2025.05.17
聯合發表於《Rehearsing Futures: Pedagogies of Hope》,由香港浸會大學語言與文化學院、文學及社會科學院主辦
2025.04.25 - 2025.04.26
《Ecologies of Participation – Public Forum》,由香港中文大學藝術系、建築系、文化及宗教研究系合辦。香港中文大學人文學研究所支持。
2024.12.04
《Listening to Chaos: Sound, Labor, and Neurodiversity in Art Practice - Bridging Cultural Analytics and Art Practice: Insights from Hong Kong Cases》,發表於《Hurricanes and Scaffolding: Symposium on Artistic Research 2024》,主辦單位包括瑞典研究委員會、UmArts研究中心、於默奧大學、於默奧市政廳、於默奧轉化研究計劃(UTRI)及於默奧大學傳訊辦公室
2024.12.05–2024.12.06
聯合發表論文於《Urban Mediations: International Conference on the Narratives, Ecologies, and Poetics of the City》,香港中文大學
2023.10.05–06
《Unlearning Realities - Reimagining Futures : A symposium exploring cultures, histories and futures》,由新加坡LASALLE學院「學與教及研究部」與Shared Campus「文化、歷史與未來」主題小組合辦出版項目
2025 撰稿人,《The Contagious Effects of Artist-Led Co-Learning: Insights from Rooftop Institute’s 12-12 實現實驗 Program》,收錄於《Epistemic Imaginaries – Learning as Festivity》,由 Errant Bodies 出版
2024 記錄員,Listening Academy,由聲音掏腰包(soundpocket)主辦(連結)
2023 聯合編輯,《事件譜2 – 藝術家父母與子女的點子》出版計劃,項目由香港藝術發展局支持
2022 作品刊登於Photoworks Annual 28, 英國
2021 聯合編輯,《事件譜之又係藝術家又係阿爸阿媽》出版計劃,項目由西九文化區管理局支持
2019「Momentary Glimpses: An Anthology on Contentedness」,Folium 出版項目, JJ Chan編輯 link
2018 「看管時間的人」,項目由油街實現支持
2009 策劃及研究員,「石硤尾製造」賽馬會創意藝術中心機器常設展覽及廠廈歷史書刊
2005-2009, 2015至今 星期日明報影像特區創作者之一
教育項目 / 工作坊
曾於以下機構擔任講師、藝術家導師:
香港藝術學院學士課程、香港中文大學文化管理文學士課程、中華基督教會望覺堂啟愛學校、香港兆基創意書院 、香港藝術發展局「校園藝術大使計劃」、明愛感創中心、水煮魚文化製作有限公司、1a空間Writing+ 、字花、SCAD art criticism class 、亞洲藝術文獻庫主辦等。
收藏
Kadist Foundation及私人收藏
所屬機構/職務
香港中文大學藝術系 助理教授
香港中文大學文化及宗教研究系(兼任)助理教授
天台塾 藝術總監、聯合創辦人
HASS Lab 董事會成員
Ecologies of Participation共同發起人